An audio recorder also allows you to record up to 30 second segments to hear your own playing. Play your harmonica and the Real time pitch recognition highlights the notes on screen. You can also switch the display between notes or music intervals. Select from 8 commonly available Diatonic tunings (Major, Natural Minor, Harmonic Minor, Melody maker, Country, Diminished, Powerbender, or Suzuki Ultrabend Sub30) or 7 Chromatic Tunings (Standard/Solo, Bebop, C6, C6 Bebop, Diminished, Augmented, or Whole Tone), all 12 Keys, 18 Scales, and 5 Chord types (Maj, Min, 7th, Aug, Dim). Harmonica mode is where you can visualize all the notes on a diatonic (10-hole) harmonica. Real time pitch recognition shows you what you play. HarpNinja supports your harmonica learning independent of whatever method you are using. If you have technical issues please contact me direct or via the support forum. HarpNinja Diatonic Harmonica RECOMMENDED MINIMUM SCREEN SIZE would be at least a 5" screen smartphone.Īnything below this size would really be too small to be useful. The user interface is designed to scale from small smartphones (5"++ recommended minimum) to tablets and to desktops. It includes just the essential tuning and music theory features for easy access on your smartphone or tablet wherever you may be. See the Help section for links to more information on this useful tool.HarpNinja Diatonic Harmonica is a diatonic harmonica version of its big brother app HarpNinja. The Circle of Fifth’s is a well known music theory tool for working out chord and scale relationships. The Circle Dojo is an interactive Circle of Fifth's specially adapted for harmonica.
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Louis CardinalsĪs noted, there isn't re-seeding after the first round. There won't be re-seeding, either, so the winner of the Rays-Guardians series faces the Yankees in the ALDS while the Mariners-Blue Jays winner heads to Houston.įor a full breakdown of the new format, we've got you covered. The Wild Card Series will be three games all in the same ballpark with no travel. With MVP favorite Aaron Judge carrying the offense, New York can contend with anyone.With the regular season concluded, all that's left to do is wait for Friday and the postseason. The Yankees will represent tough competition as they try to take the next step toward the World Series after falling short in the playoffs in each of the last five years. With regulars Jose Altuve and Alex Bregman playing well and Yordan Alvarez emerging as a star, the squad should once again be favored to reach the World Series. Houston has won the American League pennant in three of the last five years, reaching at least the ALCS in each of those seasons. Two years after winning the World Series, the squad is experienced, talented and deep as it tries to bring home another championship.Ītlanta is also seeking another title after winning it all last year, entering the postseason as confident as any team in baseball after surging past the Mets in the final week of the season. The Dodgers cruised to the best record in baseball this season, winning the NL West division title for the ninth time in 10 years. However, the real challenges will begin in the five-game division series. Two of those three teams have advance through to the wild-card round, with the Mets awaiting their fate Sunday. They couldn't hold on to the division lead in the NL East, but they still reached 100 wins and have an elite top of the rotation with Jacob deGrom, Max Scherzer and Chris Bassitt. The New York Mets are another contender after ending their five-year playoff drought. Realmuto, this team will never be out of any game. With a power-hitting lineup featuring Kyle Schwarber, Bryce Harper, Rhys Hoskins and J.T. The Philadelphia Phillies haven't been to the postseason since 2011, but they are back after a strong second half of the season. The Seattle Mariners are in the postseason for the first time since 2001, led by one of the sport's most exciting young players in Julio Rodriguez. The wild-card round features several fresh faces compared to recent years in the playoffs. Game 7, Fox (if necessary, at better record) Game 6, Fox (if necessary, at better record) Seattle Mariners at Houston Astros, TBS (if necessary)Ĭleveland Guardians at New York Yankees, TBS (if necessary) Philadelphia Phillies at Atlanta Braves, FS1 (if necessary) San Diego Padres or New York Mets at Los Angeles Dodgers, FS1 (if necessary) New York Yankees at Cleveland Guardians, TBS (if necessary) Houston Astros at Seattle Mariners, TBS (if necessary) New York Yankees at Cleveland Guardians, TBS Los Angeles Dodgers at San Diego Padres or New York Mets, FS1 (if necessary)Ītlanta Braves at Philadelphia Phillies, FS1 (if necessary) Los Angeles Dodgers at San Diego Padres or New York Mets, FS1Ītlanta Braves at Philadelphia Phillies, FS1 Philadelphia Phillies at Atlanta Braves, Fox or FS1Ĭleveland Guardians at New York Yankees, TBS San Diego Padres or New York Mets at Los Angeles Dodgers, Fox or FS1 To reduce formality, you can consider adding a “fun fact” as part of the introductions. Provide a structure for the introductions so that each person shares, at a minimum, their background, current project load, and what they consider as their strength. Remember: Many of the team members may be working with each other for the first time. The team introduction portion will provide an opportunity for each team member to introduce themselves to the rest of the team. Notice that times are assigned as well for each part.Īfter the agenda is covered, you need to go into team introductions. Here is a sample Kickoff Meeting Agenda from one of my clients (Modified a bit to hide sensitive information):Īs you can see from the slide above, The meeting is divided into three sections: Team members introductions, Expectations, and finally the first milestone and a team-building activity. If you don’t include an agenda people will feel that the meeting is unorganized.Įven though every project is different, some fundamentals have to be covered in the agenda. The agenda will set the exceptions and frame the timing and discussion points. One slide that will outline the bucket of information you will cover in this meeting. Simon Sinek argues that great leaders always start with Why because your job as a leader is to make the team feel that they are working on something bigger than themselves. If you don’t know how to articulate the big WHY then check with management. The big WHY is very important here because it will give the team a bigger purpose when doing their job. “Hi everyone, welcome to the kick-off meeting of project X! I am excited about this project because it will _ (fill in the benefits this will get the department, company, or end-user).” Here is a good formula to use for a welcome message: The purpose is to break the ice and reassure people that they are in the right place and then remind them of the big WHY of the project. It should be short, sweet, and to the point. The team introductions so that people learn about each other The welcome message: The agenda so that people have a clear idea of the meetingģ. The welcome message from the leader to break the iceĢ. The purpose of the introduction is to frame the kickoff meeting and get everyone on the same page. Introduction to a project kickoff meeting: To ensure success, you need to include three distinct elements: The purpose of the meeting is to have the group meet, set expectations, learn about the project background, and get on the same page with the client. Your ability to kickoff cross-functional team meetings is key to your success.Ī Project Kick-off meeting is where you form your project team and where you set the tone of all future interactions. In the first 2 books there are multiple instances where the reader made a mistake and re-read a section but the error was not cut out of the recording. Unfortunately, the editing leaves a lot to be desired. If it were edited properly, I'd give the performance a solid 3-4 stars. The reader is consistent and fairly accurate, if a bit low energy. I am not yet finished with this and will update it once I have completed all of the stories, but I want to leave a review of my early impressions. Part 8 The Lost Princess of Oz audio ch 1-11. Ticktock of Oz audio audio ch 19-endPart 6 Ticktock of Oz audio ch 1-7. Little Wizard Stories of Oz audio ch 12-18. The Patchwork Girl of Oz audio ch 21-endPart 5 The Patchwork Girl of Oz continued audio ch 1-11. Part 3 The Road to Oz audio ch 1-27The Emerald City of Oz audio ch 28-endPart 4 The Emerald City of Oz audio ch 1-20. The Woggle Bug Book audio chapters 15-17. Part 2 The Marvelous Land of Oz continued audio ch 1-14. Part 1 The Wonderful Wizard of Oz audio ch 1-26. These contain the title and introductions to new stories. A hint is to look at the chapters lasting less than a minute. I have listed the stories contained in each part and their audio chapters. I am going to add this to my feedback but it would be best if this was added to the audio books. I took the time to listen to and write them down for others to reference. The Complete Wizard of Oz is missing information on which stories and chapters are in which parts. If you liked the movie, this contains more detail. Would you recommend this audiobook to a friend? If so, why? Pressure – A wire physical demonstration synthesis. Poly – a virtual simple synthesis that stabilizes the side and FM combination Tool rack:īass – A monophonic virtual simple bass synthesizer.Įffect – A hammer bump body exposure synthesizer.ĭrum Syntheses – 8 gadgets for mixing drum and percussion sounds. For example, someone can play a sound on a drum rack note or leave any MIDI gadget. As is common with Abelton, drums can be dragged on racks or anything. The MIDI note triggers individual “samplers” so instead of activating a single instance on different patches, a single instance is activated on predefined pitches, as MIDI is suitable for drum programming. For this situation, M, approaching the MIDI does not move the drum as its effect is in the amplitude, yet chooses the last peak of the example, in which C3 exemplifies its unique pitch. Its scope, the use of solitary sound as an example, the application of basic effects and envelopes, at the last request, helps to change the type of granular alliance. When the unit features, rhythm, and beat are created using Live’s MIDI sequencer. Various effects are accessible, for example, the end of the basic evening, attack, mold, pitch movement, and so on. On the other hand, Straight Suite includes every capable device.ĭrive – A traditional drum-activating device that allows the client to make a pack of eight drum sounds, a unique example of each. The live intro adaptation includes four instruments (continuity, easy, instrumentation, and drum rack), and the external instrument is included, with clients having the option to purchase traditionally live additional instruments. It is similarly used for manual MIDI configuration. Moving on to the following scene, in which a synth bass line can be highlighted, the artist will animate the scene, and advance the collision for that scene.Īrranged Wave Clips offers a one-level music creation course of events that is growing like a traditional programming sequence interface. These skirmishes can be masterminded in scenes that will then be activated as a unit. Session View presents a full framework image of the clips directly in the set. MIDI activated notes working on devices in the work of Live, just as external vests or external equipment. activated) or played in a pre-organized application. Is an example of a directly used voice or MIDI successors referred to as clips, which are organized to play directly (e.g. The Direct UI is made up of two ‘perspectives’ – Admin View and Session View. Despite most voice gadgets, it was not prototyped directly into the Max itself. They dropped the offer in 2001 as Business Software. Directly accessible in three versions: Intro (with limited key highlights), Standard, and Suite.Ībleton’s co-sponsors Gerd Behles, Robert Hank, and Bernd Rogandorf went straight to their traditional program, in which Behles and Hanke encouraged their erratic music performances as monolithic. It is also used by DJs, as it offers a setup of controls for beatmatching, crossfading, and various other effects used by Trentab Lists, and naturally There was a basic application of music to beat the melodies of the match. Unlike many other programming sequences, Ableton Live Crack aims to be a tool for live performances, just as Ableton’s partner equipment item, published by Ableton Push, is a tool for creating, recording, organizing, blending, and acting.
So it's a little sort of vocal space in the control room, because we all hate vocal booths. I got this shelf from IKEA with squares in it, and I've cut loads of foam up and put a microphone in front of that. I've got KRK monitors and some little Genelec ones, because I don't want them too big, 'cause it's only a flat. I started it off in my bedroom and I've built it up and now it's the band's studio. We do all our vocals there and some guitars. "It's got a guitar room, a drum room and the lounge is the control room. Danny Jones, the most gear-literate of the foursome, was instrumental in its setup.īoth live rooms at Studio 301 were used, the smaller Studio 2 for a more intimate sound (below), and the larger Studio 1 for a more expansive feel (above - note the kick drum 'tunnel' created using chairs and packing foam). Though used mainly for overdubs, B-sides and mix preparation, it's an impressively tech-savvy proposition based around a Pro Tools HD/Apple G5 rig with Apogee AD16 and Rosetta 800 converters and a Control 24 fader surface. You go and see them live and it's like, 'Wow, they're amazing.'"Īny great battle needs a sturdy HQ, and for that, McFly have their own studio, based in a flat near Watford close to where all four band members live. I don't think people realise they write the songs and actually play them. I was like, 'You're one of the best bands in the country'. "When I first met the boys," he recalls, "because they come from the pop world, they always seemed a bit insecure and almost apologetic about themselves. "'Cause we're the ones that get to hear 10,000 people sing the songs back to us." Watford Gapįully supportive of McFly in their fight for critical acceptance is their producer since 2006, Jason Perry, former singer in Suffolk rockers A. "It's kind of like, 'If you don't like us, we don't care,'" explains the band's chief writer and other singer/guitarist Tom Fletcher. Tellingly, however, certain frustrations linger, with the lyric of the album's lead single 'One For The Radio' ('Don't pretend you hate us when you sing along') being a one-fingered salute to their detractors. In effect self-financing the making and release of Radio:ACTIVE, McFly have undeniably been bold in making the decision to step out on their own. We literally just made music we wanted to make and produced it how we wanted to produce it." We just said, 'Yeah, let's try it on our own.' This album's not had any opinions forced on it apart from ours. We left on good terms and they understood why we were doing it. "We felt like we were more in touch with the fans than this guy just sat in the office. "There was just a creative difference thing," explains singer/guitarist Danny Jones. Partly, the circumstances behind this shift lie in their decision to quit their label Island Records last year - apparently an amicable decision for both parties - after the band felt they were more in tune with the expectations of their audience than their paymasters. Frequently a heavier, darker affair than their previous outings, it bears more relation to the full-tilt singalong punk of Green Day than the pop-flavoured teen rock of Busted. Their desire to be taken seriously as writers and musicians has taken a long, slow grind to achieve, but the process looks set to be completed with the release of their fourth album, Radio:ACTIVE. Producer Jason Perry (right) at the Neve 88R desk in Sydney's Studio 301 with singer/guitarist/pianist Tom Fletcher.In spite of the fact that they've always written their own songs and played their instruments, McFly have, until now, felt lumbered with their 'boy band' tag. No ordinary 'boy band', McFly have taken complete artistic control over their output, from recording to retail. As part of New Balance’s Numeric range, these shoes have a highly textured aesthetic that pairs well with the purposeful tech inlaid within the design. The lightweight gum midsole features durable REVlite technology whilst the tread has been built using N-durance rubber with a custom design, geared towards supplying superior grip and durability. Providing ankle support and all-day comfort, the inside is lined with breathable mesh. This modern-retro mens kick features a stylish high-top silhouette and a foam wedge in the heel to help enhance comfort for a soft ride. Across the midsection, fine weave white mesh adds further durability and burgundy leather ‘N’ emblems are visible on top. The lace white cotton up front sits above a mesh panel tongue with a ‘NB# 440’ woven label wrapping over the top. Foam wedge in the heel adds soft cushioning during skateboarding. A reinforced toe helps resist wear and tear. Complementing this, the back of the heel features the same material with larger perforation holes which add texture to the style and above this, a section of grey leather wraps around ‘new balance’ text branding. Performance meets everyday style in the New Balance Numeric 440 skate shoes SKU: 9029070 Skateboard shoes with a mix of suede, perforated leather, and durable synthetic uppers for next-level style you'll love on and off your board. Product Description Performance meets everyday style in the New Balance 440 High skate shoes Skateboard shoes with a mix of suede, perforated leather, and durable synthetic uppers for next-level style you'll love on and off your board. Across the front of the toes, light coloured suede has been double layered along the edge with breathable perforation added above, leading into the laces border. Offering the very best in cushioned comfort, performance and all round boardfeel, the NB# 440 Hi is a creative silhouette that continues to pair everyday function with pronounced skate-centric innovation.Crafted for both everyday and skate wear, these New Balance Numeric 440 Shoes are built from suede and mesh uppers, designed to a sea salt and burgundy colourway. Paying subtle reference to archival racket-sport colourings, embroidered leather ‘N’ side wall decals are displayed across each seam stitched quarter, with the deboosed green on white ‘New Balance’ ankle patches mirrored by the interior ‘NB#’ ABZORB insole branding within.īacked by an old-meets-new archival revived aesthetic, the heightened New Balance Numeric 440 Hi is a revolutionary profile that remains true to its OG design. With its C-CAP heel wedge helping to absorb impact and keep it lightweight, the 440 has the board feel of a vulcanized shoe with the impact protection of a cupsole. The heel includes a foam wedge in order to increase comfort on and off the board, whilst reinforcements in the toe area ensure the shoe lasts. The NB Numeric 440H is a high top skate shoe with lineage tracing back to New Balance’s heritage of classic, 70’s style running shoes. Reinforced tonal overlays across the toe bumper are paired with intricate perforations that match those across the rear brace, whilst the recessed 9 eyelet lacing system provides a secure fit across the ‘NB# 440’ mesh tongue and the natural arch of the foot. The New Balance Numeric 440 skate shoe is a favourite of team riders such as Tom Knox and provides the perfect shoe for skateboarding and everyday wear. Styled with mixed material uppers crafted from a blend of crisp white suede and breathable mesh, this remastered high top sneaker features a two tone NDurance rubber outsole, a full length C-CAP midsole and a grippy underfoot tread that’s designed to make light work of any challenging terrain. Inspired by archival ‘70s aesthetics and arriving as a high top variant of its classic predecessor, the New Balance Numeric 440 Hi is a premium skate shoe that blends premium technology with a soft cushioned construction for elevated boardfeel. New Balance Numeric 440 Hi Shoes in White and Green. The Fifty Fathoms Automatique features a steel strap with a folding clasp and a crisp, black dial adorned with luminescent hands and hour markers. The watches of the Fifty Fathoms collection are rugged yet stylish, crafted for both the diver and the discriminating watch lover. Breitling SuperOcean Automatic 48 Blancpain Fifty Fathoms Automatique The yellow dial is highlighted with luminescent hands and indexes and the look is finished with a bold black rubber strap. This watch features a titanium case with a black ceramic bidirectional rotating bezel and a glare proof convex sapphire crystal. OMEGA Seamaster Diver 300m Breitling SuperOcean Automatic 48īreitling created the classic SuperOcean dive watch in 1957 to equip professional and military divers, but it was soon discovered by leisure divers and watch enthusiasts. The grey ceramic dial features an engraved wave pattern, blue ceramic unidirectional rotating bezel and blued hands and indexes with white Super-LumiNova. The Seamaster takes design cues from the waterproof watches of the British military. The watches of the OMEGA Seamaster collection are justly celebrated as chronometers of strength, style and sophistication, crafted for discriminating watch enthusiasts. Seiko Prospex SLA043 OMEGA Seamaster Diver 300m Ceramic Rhodium Grey Dial – Bracelet The Lumibrite hands and hour markers boast state of the art luminescence. This watch features an ever-brilliant steel case and anti-reflective box sapphire crystal, deep blue dial and coordinating extra-silicone black strap. The watches of the Seiko Prospex collection were developed for sports lovers and adventurers, ideal for both recreational and professional divers. Tudor Pelagos LHD 42mm Titanium and Steel Seiko Prospex SLA043 – 1965 62mas Diver’s Re-Creation The look is finished by a titanium bracelet with a steel folding clasp. The black ceramic dial features beige luminescent graduations on the bezel, and white, angular luminescent hands and hour markers. The Pelagos from Tudor is a classic all-in-one mechanical divers’ watch, waterproof up to 500 meters and powered by the Tudor Manufacture calibre. Here are some of our favorites at Feldmar: Tudor Pelagos LHD 42mm Titanium and Steel Watch brands today are continually striving to create new technologies to make luminescent watches better, with brighter, longer lasting luminescent capabilities. What are the benefits of lume?Ī luminescent watch provides legibility in all lighting conditions, which can prove incredibly useful, especially for diving, camping or other low light sports and hobbies. Ultraviolet light can deteriorate it over time, and water and humidity could also damage the pigment. Yes, the lume could get dimmer but it will take a very, very long time-usually decades. The brightness can also depend on other factors such as the size of the lume powder particles (the bigger, the brighter!), the properties found in the binder and how many layers of paint are applied. And depending on how those pigments are mixed, they can either glow more brightly or for longer duration. The reason most luminescent watches have a greenish glow is because of the particular phosphorescent pigments used, usually strontium illuminate and zinc sulfide. Phosphorescent materials release their stored energy slowly, so they essentially “glow in the dark.” Most modern luminescent watches today (such as those with Super LumiNova) use materials called phosphors, which absorb energy from light (basically, they are “charged” by the light), and then release that energy as photons, emitting light back. Luckily, radium hasn’t been used in watchmaking for a long time. Lume, short for luminescence, is the glowing solution often applied to a watch’s bezel, hands, hour markers and sometimes the actual dial itself. Let’s take a look… First off, what makes a dial glow? Luckily, they have come a long way since the 1920s. Believe it or not, watches with dials that can be seen in the dark have been around for a while and they used to be made with radioactive (yep, radioactive!) radium. Captivating and intriguing, luminescence is arguably one of the “coolest” features a watch can possess. Working knowledge of first aid procedures.Experience working with children preferred. Intersections, Merging and Lane ChangesBus driving fundamentals encompass several different driving situations and techniques.Start at 25 per hour Available paid training for school bus driving. Passenger and school bus endorsement required. We are always seeking professional, safety minded individuals for school bus drivers.Enforcing conduct and safety rules on the bus.Assisting with the loading and unloading of the bus when required.Inspecting the vehicle thoroughly before and after each trip. Qualifications: Must possess a valid Class B commercial drivers license with Passenger (P) and School Bus (S) endorsements and State of MS Bus Drivers.Responding to emergency and non-emergency situations.Reporting delays, accidents, and emergencies.Monitoring and reporting fuel consumption, mileage, and passenger numbers.Regularly checking vehicle safety such as tires, brakes, turn signals, mechanical equipment, etc.Following the planned route and schedule for departure times and stops.
There exists a bug within the Sega Genesis version of the game that can be exploited to essentially guarantee a win. Please relocate any relevant information into appropriate sections or articles. Lists of miscellaneous information should be avoided. The Sega Mega Drive / Genesis version had a surprisingly sophisticated soundtrack for its hardware and may be recognized as one of the best soundtracks for that system. Other than the existence of the Master character and magic in the game, the gameplay is very similar to System Soft's more hardcore modern warfare strategic wargame series Daisenryaku, with the exception that some versions of the Master of Monsters (such as Master of Monsters - Final) series allow equippable items, weapons and armor. The focus of the game is strategic, despite the fantasy-type characters that might imply an RPG element. Other notable features involved the large variety of monsters, upgrading ("leveling up") of veteran units, and perhaps most importantly, the control of a "Master" character who, if killed, can end the game for that player. Moves are based on a hexagonal board structure, such that every tile on the board is adjacent to six other tiles. Gameplay involves the player (or multiple players) summoning and moving monsters around a board in order to capture towers and eventually defeat the computer or human controlled opponents. There was also a spin-off of the game targeted towards the younger audience titled Masumon Kids, and there is now a cell-phone based version of the game available for the popular cell phone game market in Japan. Available for Japanese language Windows-based systems, the remakes include マスターオブモンスターズIII Special Edition, マスターオブモンスターズ4 ~光と闇の争覇~, Master of Monsters Value Edition (the original game, updated and with expansion packs added in), and 真・マスターオブモンスターズ Final. Two more sequels (3 and 4) were made for Japanese Windows and harken back to the deep strategic gameplay of the NEC PC9801 versions (as opposed to the more casual Genesis and Playstation versions). Today, System Soft Alpha has returned the game to its strategy-based roots, and the 2 titles (I, and "Final" - but not II) in the Master of Monsters series as originally popularized on the NEC 9801 PC were updated by System Soft Alpha with new graphics and gameplay features. Its success in the US market on the Sega Genesis proved sufficient for a sequel on the Saturn, an anime art-style enhanced Playstation version titled "Disciples of Gaia" with a Japanese RPG feel. While it never garnered the same success as its System Soft stablemate Daisenryaku, the game has garnered a loyal following over the years. Master of Monsters is a turn-based strategy game created by Japanese software developer System Soft (now System Soft Alpha) for the MSX and NEC PC8801 later ported to a variety of consoles and PCs including the PC Engine, NEC PC9801, Sega Mega Drive (Genesis), Sega Saturn and Playstation. |